Guide · 04
Imagery
Rule: we make clear, so faces are lit.
These rules govern what NUBAYIN makes. An artist’s released work appears as released, with the artist’s own credit and disclosure (K8, see Label and universe).
Stills: photographed
- Real people in real light: collaborators, crews and audiences, with consent and a credit line.
- The light has a source: a window, the sky, a practical lamp. Faces are readable.
- SWANA places as they are. Joy shown directly. Natural skin tones, graded for the person.
- Sharp frames. Blur is never baked into a file; the focus pull is done in code, once.
- Every still carries a caption and credit: Photograph: Name Surname, City, Year.
The first shot list
Drafted with OpenAI’s GPT-6.1 Terra Pro (through OpenRouter) and checked against these rules. Shoot 3:2 or wider and crop to the kit’s frames.
Intent. Photograph people making, sharing and enjoying stories in places that feel lived in. Each picture should be beautiful without asking the viewer to decode it, and Arab viewers should recognise the ordinary details as true.
| # | Shot | Use | Who | Where | Light | The moment that makes it clear |
|---|---|---|---|---|---|---|
| 1 | Morning table | About | Two writers | Apartment kitchen, Amman | Morning window, white card fill | One laughs at a line the other reads aloud |
| 2 | At the edit | Press still | Editor and director | Editing room, Amman | Window and a visible desk lamp | The editor points to a cut as the director leans in |
| 3 | Listen again | Social 4:5 | Musician and engineer | Recording room, Amman | Late-morning window and a practical lamp | The musician smiles at a playback |
| 4 | Lunch break | Join | Three crew members | Studio table, Amman | Midday window | A plate is passed and the others make room |
| 5 | Walking it through | Social 9:16 | Two performers | Sidewalk beside the studio, Amman | Afternoon open sky | One tries a line; the other answers with a grin |
| 6 | Rooftop conversation | Homepage hero 2.39:1 | Three collaborators | Studio rooftop, Amman | Late-afternoon open sky, white bounce | The group turns toward the one telling a story |
| 7 | Room for rehearsal | About | Two actors and a director | Rehearsal room, Beirut | Morning window | The actors pause to hear a note |
| 8 | A song together | Social 4:5 | Singer and keyboard player | Music room, Cairo | Afternoon window and a visible lamp | The singer laughs as the right chord lands |
| 9 | On the tram | Press still | Two friends | A tram in Alexandria, with permission | Daylight through the windows | One points out a familiar street |
| 10 | First audience | Join | A filmmaker and three viewers | Small screening room, Tunis | Wall lights after a daytime screening | A viewer shares a reaction while the filmmaker listens |
| 11 | The repair | Social 9:16 | Costume maker and performer | Wardrobe room, Ramallah | Morning window | The maker checks a repaired seam |
| 12 | Between takes | Title page | Camera operator and focus puller | Interior set, Baghdad | Window and a practical lamp | The pair check a camera mark together |
| 13 | Shared headphones | Social 4:5 | Two sound artists | Home studio, Casablanca | Late-afternoon window | A smile at a sound they both recognise |
| 14 | Make space | Press still | Four immersive-work collaborators | Workshop room, Doha | Windows and visible ceiling lights | The group moves chairs to test a new arrangement |
Watch for, on every shot: faces hidden by equipment, fabric or backlight; dark skin rendered as shadow; religious objects, text or architecture in frame; unconsented bystanders; haze, flare or baked-in blur.
Day one, Amman: 08:00 arrive, confirm consent and clear backgrounds · 08:30 shot 1 · 10:00 shot 2 · 11:00 shot 3 · 12:30 break, then shot 4 · 14:00 shot 5 · 16:00 shot 6 · 17:00 check sharpness, releases, credits and backups.
Consent and credit. Explain the shoot and its uses (web, press, social) before photographing. Get signed consent from every identifiable person and never photograph unreleased bystanders. Record each photographer’s credit as “Photograph: Name Surname, City, Year”. Credit participants by name only if they agree, and confirm spelling and roles. Give everyone a contact for concerns or withdrawal, and stop future use where they ask.
Plates: generated environments
AI may build environments and concept art, credited. Plates and motion plates stand in for locations, textures and moods until real stills and footage exist.
- Never people. No figures, silhouettes, hands or faces in a generated image or video, ever.
- Never text. No signage, letters or numbers in the frame.
- Never domes, arches, minarets, crescents, lanterns, prayer objects or calligraphy.
- Sharp light with a source. No haze, no god rays, no lens flare, no amber dust.
- No place clichés: blue doors on white walls, dunes at sunset, souks, spice piles.
- No generated audio. Video plates ship silent; real sound is recorded.
- Label every plate where it is used: Plate · AI-generated environment (Gemini), November 2026. No people. Stands in until a real still is shot.
- Keep the registers beside the files (
assets/imagery/plates/register.json,assets/imagery/video/register.json): prompt, model, date and output.
The set sweep
Before any image or clip enters the kit, check it for: people or body parts; readable text; religious objects or architecture; haze, rays or flares; place clichés; equipment that wandered into frame. One failure sends it back.